Thursday, April 26, 2018

24/04/2018


Yesterday was a bit of a heavy day. You know when you come down from a high and feel slightly lost and useless? Post-dissertation me, writing about Partition and bodies and violence, with grey skies outside felt a bit like that. Working was slow, and draining when you realise that articulating trauma has so many rules and restrictions and faults. Part of me wants to applaud writers for even approaching trauma, even though they don't do a just representation of the full extent of trauma. Because how can words do that, when trauma is so physical, so tied to touch, memory and all the senses. And should you replicate trauma or just aim at mediating it? Is the replication of it a violence in itself?

I was particularly struck by an extract from Veena Das, who wrote about her  interactions with women who had witnessed Partition:

"When women’s bodies were made the passive witnesses of the disorder of the Partition in this manner, how did women mourn the loss of self and the world? It is considering this question that we find startling reversals in the transaction between body and language. In the normal process of mourning, grievous harm is inflicted by women on their own bodies, while the acoustic and linguistic codes make the loss public by the mourning laments. When asking women to narrate their experiences of the Partition I found a zone of silence around the event. This silence was achieved either by the use of language that was general and metaphor but that evaded specific descriptions of any events so as to capture the particularity of their experience, or by describing the surrounding events but leaving the actual experience of abduction and rape unstated. It was common to describe the violence of Partition in such terms as rivers of blood flowing and the earth covered with white shrouds right unto the horizon. Sometimes a woman would remember images of fleeing, but as one woman warned me, it was dangerous to remember. These memories were sometimes compared to poison that makes the inside of the woman dissolve, as a solid is dissolved in a powerful liquid. At other times a woman would say that she is like a discarded exercise book, in which the accounts of past relationships were kept—the body, a parchment of losses. At any rate, none of the metaphors used to describe the self that had become the repository of poisonous knowledge emphasized the need to give expression to this hidden knowledge"

I read this alongside Cracking India, and couldn't help but see (as I read later in a brilliant article by Ambreen Hai) just how silenced Ayah's voice is, during and after her abduction. ‘Can the soul be extracted from its living body? Her vacant eyes are bigger than ever’. I suppose from the start of the novel it is more her body that speaks that her mouth since she's presented as a highly physically desirable character, but she's still intensely spirited and controls her body to articulate her power. After her abduction she basically becomes a shell and her body doesn't say anything except I am hurt, I am lost, I am sad. and, most crushingly 'I am not alive'. A parchment of losses indeed. Should I expect the body to say anything differently after so much suffering? But we need those bodies to say 'This is what happened to me, let me tell you what happened so you can't pretend it didn't' --- so that some justice is done, some measure of learning gained and pain is not made meaningless.

On top of all these questions, my heart just ached, in the same way it ached when I saw John Akomfrah's Unfinished Conversation last year, at the violence people do to each other and the injustice that we all perpetuate.

Even practicing handstands in my room didn't help shake the feeling that the world was all wrong.

After I'd planned the essay I cycled down to Focus, hoping for some nice 'God loves you and God keeps you safe' type of reassurance or something. But I got there and we went straight into Romans 9, that tricky passage about God's sovereignty.

'As it is written, “Jacob I loved, but Esau I hated.”

What shall we say then? Is there injustice on God's part? By no means! For he says to Moses, “I will have mercy on whom I have mercy, and I will have compassion on whom I have compassion.” So then it depends not on human will or exertion, but on God, who has mercy. [...] You will say to me then, “Why does he still find fault? For who can resist his will?” But who are you, O man, to answer back to God? Will what is molded say to its molder, “Why have you made me like this?” [...] What if God, desiring to show his wrath and to make known his power, has endured with much patience vessels of wrath prepared for destruction, in order to make known the riches of his glory for vessels of mercy, which he has prepared beforehand for glory— even us whom he has called, not from the Jews only but also from the Gentiles?'

It's such a hard passage to think about, especially when I think of the people I love who haven't yet accepted Christ. I've received the mercy of Christ but so many haven't because they haven't accepted it. Which is just in a way but also -- Oh God, what about Tim? What about Ama? What about Zenia? What about Alex? What about...? Countless names come to mind. I realise it is mercy itself that we are living in a time of God's patience as He waits and calls for people to receive the love and grace He freely gives, but I suppose my human stubborn self constantly worries that it won't be enough.

But at the close of the day I went to Jacob's room. I had a window of time sitting on his bed before he got back, where I wrote down some of the things that troubled me. Mid-sentence, the door opened and Jacob came in with the biggest smile on his face which lit me up inside to see his joy.

'Why are you so happy?'

'I'm happy to see you!'

Very smooth, and it made me laugh. We had a little bit of this gorgeous cake which we'd made on Monday, which (as I wrote on the pot I put them in) is only the BEST CHOCOLATE CAKE IN THE WORLD. As I discovered on Monday, there is apparently a difference between cake and pudding (I'd previously thought cake just came under the umbrella term 'pudding', which I thought was a synonym for 'dessert' but  that is apparently not the case) but this is definitely cake, and such good cake that I'd have it for pudding and for every single birthday until I'm diabetic. Afterwards we prayed together, about bad days and good days, present days and future days. I am thankful I have a good God who listens, who is just and who is sovereign and in control. Things like Partition and Romans 9 sometimes shake me and make me wonder 'why?', 'how?', but those very questions that desire justice in me, the molded one, surely reflect the desire for justice in the molder. And the good thing is that he does rule with justice, so that pain is not forgotten or shamed, and so that the story written on his parchment is not one of infinite loss but infinite mercy, love and grace.

Dissertation - done



On Monday I submitted my dissertation - read through it a final time in the morning and shifted some full stops around, printed it with Alex in the stifling computer room and then brought it back home to set it aside while I ate with Becky and Alex and talked about The Eternal Sunshine of the Spotless Mind and Kate Middleton's new baby and Yoga and tried not to think about the fact that the work I'd been perfecting over months and months was about to be out of my hands.

I wrote it on tears in medieval devotional literature, examining their aesthetic treatment and how from something abject they are made, through the paradox of abjection and beauty in the gospel and crucifixion itself, into something beautiful. (Abjection here being Julia Kristeva/Mary Douglas' psychoanalytical idea of abjection as impurity through the crossing of boundaries.) It was a strange process, beginning with me trying to do lots of funky things with contemporary literature and art from Picasso to Rogier van der Weyden, but eventually I realised that in 7,500 words I couldn't cover the whole history of human grief and aesthetic experience. And so instead I decided to write about what personally made sense to me - how the gospel, in my life and in the life of medieval mystics like Margery Kempe and Julian of Norwich is the biggest saving grace, spiritually, bodily, aesthetically.

Although I don't engage in fits of public crying, or melt in the heat of contemplation, or see haptic visions of Christ's wounds, there is something bodily in my worship - how movement like yoga or running helps me attune my mind to prayer and meditation in the same way Cistercian monks' used their bodies - usually through crying or mortification - to create intention and attention to reading and understanding scripture. I've begun thinking of affective piety in Church, particularly during communion, and find that in thinking vividly of the Passion during communion, which is all about the body and blood of Christ, I'm reminded more of exactly what it meant - how physically Jesus suffered for my sins, how physically he loved and sacrificed himself for the salvation of humanity.

I remember seeing Mum crying during communion once, and thinking to myself that that kind of contrition was what it meant to really love God, when you see in him your own sin/impurity, and yet at the same time see how he has cherished you into beauty.

So it begins...




... The last term of my life in this beautiful university.

I arrived back to gorgeous sunshine, which meant lolling in the grass for tea with my housemates, sitting outside for lunch, yoga with Jacob in the sunlight squares of my window followed by sweet potato and chickpea curry for dinner in the garden, having a picnic with Harriet, cartwheels whilst on a walk with Jacob and, once on a hot and sweaty mid-afternoon run, changing my usual course to head to the riverbank and slipping slowly in to its cold water. This is what I want to remember of my time here - the friendship, the countless runs and the moments of spontaneity. Harriet and I talked about bottling up bits of sunshine to tide us through difficult winter weather, but I'd also like to bottle up the people and moments and feelings... In first year on one equally sunny afternoon, sitting beside the river with Alex and Mariella, Alex asked us for three words to describe the moment. She talked of hot asphalt and trees, and I said something like 'ducks, daisies and the dappled reflection of water on boats'. Three words for this week: oh, forever please.

On the last properly sunny day of the week, Jacob and I found a bit of Sid gardens without people in it (initially) and I spread my sarong and we ate burritos (which we at first put on the 'worst foods to eat on a date' list, and then proceeded to eat them without spilling anything like the champions we are) and then lay down and looked at the clouds which moved quickly over the sky. There was one that looked like an alien. 'I just keep thinking how weird it is that this time last year I didn't know you - not really.' It is strange, that in the span of a year someone who I'd watch disappear back to his room after choir is now my best friend and so much more. That I know what his room looks like, and also how much of a mug of porridge he eats, and how he prays. 'Yes, it is strange. I don't think I thought it through rationally, and yet I was sure.'

It's strange to think that this place, which I hardly knew when I arrived, has become so dear, so like home. And it's strange to think I'm leaving in a months time.

Sometimes the future scares me. Why? Because so much of it is unknown. But -

'I’ve loved you the way my Father has loved me. Make yourselves at home in my love.' John 15:9

-I know I am safe with You, and safe in Your love. It might seem irrational to place certainty in love - will love keep me safe in London, or guide me through a six years of heritage work, or sustain me through my finals? Perhaps not directly, not in the way sticking to public areas, reading museum theory or studying, eating and resting healthily does. But in my little experience of a love that holds and promises, I can also say yes, love can, and more.

'--and be sure of this—that I am with you always, even to the end of the world.' Matthew 28:20

'So don't leave me.'

'I won't.'

A collection of the inappropriate and strange things that come out of my mouth


1) My director of studies 'Who should we invite to the post-exam English dinner? We could invite some of your supervisors -- oh, Miriam, what about _____ (my dissertation supervisor)?'

Me: 'Oh yes, he could teach us wrestling!'

Dos: Maybe not.

Me: No. (internally) Please let me die.

(Context: Apparently my supervisor used to wrestle before he started lecturing on medieval literature - that's Cambridge for you!)

2) Jay: Is Jacob your first boyfriend?

Me: Yes, and I'm the first woman he's been with.

Jay: First...woman?

Me: Not like that.

3) Me: Yeah for sure I'd travel with a baby, babies are portable!

Me:(internally) I am an idiot.

4) Whilst looking at the recipe for the chocolate and pear cake we were making, which called for one pear.

Holds up a pear.

Me: 'Is this a pear?'

(I meant would that equate to 'one pear' as written in a recipe. We ended up using one and a half.)

4) 'Lots of love, Miriam' - when signing off an email to the student accounts woman

Sunday, April 22, 2018

Peace-giving


10.10am - ish

I sat down at the end of the pew, late as usual but un-flustered because how could anything faze me on such a beautiful summer's day?

'Take a couple minutes to say hi to the people around you.'

I turned to the man beside me, but he'd turned to his right to the man beside him, so I waited and flipped through my bible. Then he turned to me.

'Peace-giving,' he said.

Peace-giving? What does he mean? What does that mean? 

Then I remembered that sometimes in English churches they do that thing called 'giving the peace' or 'passing the peace', where you shake hands or give well-meaning nods and say 'peace be with you'. And so,

'Peace be with you too,' I said, smiling, 'What's your name?'

Slight pause.

'Um, peace-giving.'

'Oh. Oh, right! Um, I'm Miriam.'

Wednesday, April 18, 2018

6/4-11/4


Last night it took me a while to get to bed partly because I felt lonely. I probably definitely made things worse by watching a sad movie about a dying girl for whom love is still worthwhile even though she only has a short time on earth, and also I had residual tummy flutters (the bad kind) from the X5 coach ride. I was taking the X5 back to Cambridge from a week-ish in Oxford with Jacob and his family.

One evening while we were there, having just made chocolate orange cookies, I asked Jacob 13 questions and he asked me 13 questions, based off the apparently scientific '36 questions that lead to love' (I think the NYT article misleads you into thinking it means romantic love specifically but I have a hunch they are just 36 questions that lead to deeper connection - so friend love, neighbour love, stranger on a platform love, and not necessarily romantic love, although you could argue that even stranger on a platform love is in some way romantic). The questions also sent me to this reflection on love, which included a long list of 'love is...''s, little statements that made me reflect on how/who/what we are and how that manifested in that week in Oxford:

'Love is bringing them a peace they have always deserved.'

On a walk in Wytham woods I asked him 'Do you think you've changed in any way since we've been together?'

'Yes,' He said, with a sort of surprised definite-ness. 

'How?'

One of the things he mentioned was that with me he feels calmer, which is something I definitely notice about myself as well when I'm with him. And conversely away from him there's always the initial anxiety of separation, the same funny feeling I'd get after leaving Grandma's after short respite weekends there in first year. 

Love is loving those they care for.

Having met Jacob's family the first time I stayed, this time I met one of his friend families, a group of guys he went interrailing with. They were all individually so great, and different, but together they got along so well and complemented each other's personalities so perfectly - they reminded me of a male version of the Sisterhood of Travelling Pants. I couldn't help but like them all, not just because they were Jacob's friends and I'd love them for that because a) I trust his taste in people b) They make him happy, but because they were great people. We sat round a fire that was (wait for it) in a globe and then I was initiated into the solemn rite of playing fifa.

Love is building them up every single day.

I didn't know who I was or where the ball was or which goal we were shooting into for most of the time an I know it's difficult to believe but I might actually be worse at fifa football than actual football (and Tim refuses to play actual football with me because I have a tendency to kick him and not the ball most of the time because legs and ball move so quickly in a game of football). And despite that Jacob would say 'great pass' or 'good job' when I did manage to actually have contact with the ball.

Love is making them feel beautiful.

Jacob is really good at doing this, particularly when I feel lumpy and embarrassed.

Love is learning to love yourself first so you can love them better.

And when he says it, I very often believe it. And he also brings out the bits of me that I love about myself - like how I get excited for other people's birthdays (25 February was a very exciting day) and how I find funny internet gems/good poems and share them with him.

Love is dipping a life-long friendship in honey.

One day we went running around Port Meadow which was possibly the muddiest run of my life but I loved it - muddy running is strangely satisfying, especially as your mind is so focused on jumping over puddles and skipping round sludge and keeping balance that there's no time to really think about your legs (although that comes in full force during the relatively less muddy bits, since all the mud avoiding is rather strenuous!)

Another day, in between study sessions in the Bodleian, we went to Pizza Express and each got a big pizza, and talked about a spontaneous trip post-exams (somewhere as warm as or warmer than England), and laughed over olives, and the view from the men's bathroom, and relished the pizza, and it felt like I was with a best friend but also more.

Love is winning at life together.

Those pizzas cost us nothing because of some special thing on the pizza express app - need I say more?

Love is saying sorry over and over again.

Jacob says sorry - a lot, and at one point we played a game to limit the sorrys, but I'm also really grateful for how easily he says sorry. He isn't proud or defensive, but just genuinely wants to make those around him happy and secure.

Love is living without the fear of being enough.
& Love is believing in yourself, sometimes for their sake.

In one of our conversations I looked Jacob right in the eyes, because this was really important, and told him that under no circumstances was he to think that he doesn't love me enough. That what he does, how he does, to love me is good, and sufficient.

'Do you believe it?'

'Yes.'

'Good.'

Love is being grateful for them.

Always. 

17/4/2018


Today I walked from the train station to my house while reading the last 30-ish pages of 'Cracking India', pulling my trusty little cabin bag along behind me, and relying on that magic power developed in childhood of being able to navigate around drifting crowds without lifting my eyes long enough to break the soft momentum of story.

Cracking India is a novel about the Partition of India told through the eyes of a young girl, weaving all the tragedies of growing up into the tragedies of people torn apart by conflict. It's incredible, and I wasn't going to look up from it for the world (except as I crossed Parker's Piece because the wind was too strong to keep the book's pages open). I'd started the novel on the way to Austria, on a 4.56 am train to Stansted. I read it by the lake in Traun, surrounded by daisies and sunlight. I read it in the Linz airport, on the plane, on the platform at Stansted with my feet propped on my suitcase. And then I was interrupted.

I was in the middle of Ranna's story about the massacre of his village, when I heard an 'excuse me,' and looked up and realised my bag had slipped onto the seat beside me.

'Sorry,' I said, and moved it, and a man sat down, and (inevitably- why do people always ask this) asked me where I was from. Actually he asked me if I was from China, and I said 'No, from Singapore.'

'Ah - but you look a bit Chinese.'

So I explained that my Dad's ancestors are from China, while my Mum is English, at which he smiled and said 'Your Father is from China - so you are from China. Like me, my father is from Kashmir, so I am Kashmiri. In Pakistan - but I am Kashmiri.'

Kashmir - my mind strayed again to Ranna's story. I wondered if the violence of his country's past has any bearing on how he consciously lives and thinks. Still, I was intrigued by how he identified heritage, and suggested that since Dad wasn't born in China, and neither was I, that claiming Chinese heritage was a little far-fetched, especially since Singapore is its own entity. His insistence on patrilineal heritage reminded me a little of Apollo's argument about paternity/maternity in the Oresteia, in which he suggests a mother is little more than a plant pot:

Not the true parent is the woman’s womb
That bears the child; she doth but nurse the seed
New-sown: the male is parent; she for him
As stranger for a stranger, hoards the germ
Of life, unless the god its promise blight.

I asked him why he called himself Kashmiri and not Pakistani, and he said there's a difference - 'they are too clever' he said, grinning. I asked him if he met someone from Pakistani in Kashmir, and didn't hear them speak, would he know they were Pakistani, he answered with a confident 'Yes- their face, everything. They are different.'

Different - I wonder what makes someone one thing and another person another. Whilst in Austria, I was struck by how I found a strange resemblance between myself and one of the women there from Afghanistan. Having never really found a physical representative of my particular mix of races in media/magazines, it was surprising to 'see myself' in someone who was meant to be entirely different - face, language, upbringing, life situation. But I realised in Austria that yes, there are lots of differences between me and an Afghan woman, just as there are many differences between me and a Kashmiri man, and many differences between me and my sister and brother. And yet there are points of overlap - a love for cardamom and popcorn, the choice to sit in the sun. Similarities in the 'small things', although who is to say they are smaller than the arbitrary place of our birth?

My train pulled up soon after that, and I read more, and then walked home, finishing the last page (to my great satisfaction) right outside the door of my house.

Thursday, April 5, 2018

Holy Week Reflections


1. It's been raining almost every day this week -- but this Good Friday morning it was lovely and blue, and I went for a run and then lay on the floor of my room stretching and listening to an aria from the Messiah: 

I know that my Redeemer liveth and that he shall stand at the latter day upon the earth. And though worms destroy this body, yet in my flesh shall I see God. (Job 19:25-26) For now is Christ risen from the dead, the first fruits of them that sleep. (I Corinthians 15:20) 

(There were quite a few worms along the path as I ran, they'd come out after yesterday's rain, and I took care to avoid them although that meant several muddy splashes when I quick side step away from a worm meant a side step into a puddle.) 

2. The recording I was listening to was taken on Wednesday when I went with Auntie Sarah to watch Handel's Messiah in the cinema in Bury. They recorded it live from the Bristol Old Vic - and I recorded part of the singing which you can download here. It was some of the most beautiful singing I've heard in all my days. The director (Tom Morris) wanted to revivify the drama of the text and story and so rather than having it as a normal oratorio without costume/set/action, it was more like an opera -- Christ's body was born by candlelight onto the stage in the first scene, the soloists acted as well as sung their grief and the chorus participated in the scourging of Christ. The Christ in the performance was played by Jamie Beddard, who has cerebral palsy. I didn't realise at first and put the slight movements of the 'dead' Christ down to shivering - 'He must be cold, lying there without a shirt on,' I thought. When it became apparent (when he stood up) that he had a disability it added an entirely different dimension to the story. When the words 'he was despised and rejected' were sung their meaning came through so much more clearly, since it's difficult now to imagine Jesus (so highly exalted and loved) as being despised and rejected, but by paralleling it to the barriers to everyday life that people with disability face it became a lot more clear, and a lot more horrible:

"The Messiah gets cast out by his followers and, in many ways, there are parallels with the political climate around disability at the moment. In many ways my unique physicality contradicts people’s expectations of who Jesus was. It allows us to re-imagine who the historical figure might have been, away from the religious gloss that has determined how he has been understood for the last two millennia." (Jamie Beddard)

3. I've been reading and thinking a lot about rejection - ejection - abjection for my dissertation, and the crucifixion as a site for all of those things (rejection by man, ejection of blood, abjection of body) 

4. I've been reading about tragedy and theology and was struck by this quote:

'Betwixt and between: the Christian experience of the world is one of ambiguity, in the 'middle of the journey of our lives', 'lost', like Dante, 'in a dark wood' of sin, waiting for grace.' George Steiner compares is to Holy Saturday - 'we wait, between the memory, trauma and despair of Good Friday and the expectant hope of Easter. The experience [...] is one in which we learn the difference between optimism and hope, in which we are only able to hope for the best by confronting the worst. As Hardy enjoined, 'who holds that if way to the Better there be, it exacts a full look at the Worst.''

5. Both Nat and I saw this quote on the same day 'Sometimes when you're in a dark place you think you've been buried, but you've actually been planted.' Christine Caine. Reminded me of Launcelot Andrewes sermon in which:

'Christ rising was indeed a gardener, and that a strange one, who made … a dead body to shoot forth out of the grave … He it is that by virtue of this morning’s act shall garden our bodies too, turn all our graves into garden plots; yea, will one day turn land and sea and all into a great garden, and so husband them as will in due time bring forth live bodies, even all our bodies alive again.'

6. I've been listening to (aside from the Messiah) the Killer's new album Wonderful, Wonderful, which has a song called 'Some Kind of Love'

You got the will of a wild
A wild bird
You got the faith of a child
Before the world gets in

You got some kind of love

You got the soul of a truck
On a long distance haul
You got the grace of the storm
In the desert

The soul of a truck -- I know a few people with souls like that and they are the best people. My parents have souls like long-distance haul trucks. The song also made me think of love (God so loved the world)  and Jesus (that he gave his one and only son) and the people I love (that whoever believes in him shall not perish but have eternal life). I want my loved ones to be on the long distance haul with me from now to eternity, and I am so glad that so many of them know God's love. But so many don't as well, and a run turned into a prayer run for Ama, and Tim, and Zenia, and Alex, and --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

7. I am, as always, touched by the meeting of Jesus and Mary outside the tomb, after his Resurrection. I remember the teary world I ran through to the fields beyond the day after Grandma died, how I walked without feeling the cold and stood leaning on a fence, looking out and singing to myself. If I'd heard her call my name... The meeting between Mary and Jesus makes me cry in the same way the reunion of Hermione and Laertes in The Winter's Tale makes me cry, that impossibility and undeserved restoration of what was beautiful and lost:

Now Mary stood outside the tomb crying. As she wept, she bent over to look into the tomb and saw two angels in white, seated where Jesus’ body had been, one at the head and the other at the foot.

They asked her, “Woman, why are you crying?”

“They have taken my Lord away,” she said, “and I don’t know where they have put him.” At this, she turned around and saw Jesus standing there, but she did not realize that it was Jesus.

He asked her, “Woman, why are you crying? Who is it you are looking for?”

Thinking he was the gardener, she said, “Sir, if you have carried him away, tell me where you have put him, and I will get him.”

Jesus said to her, “Mary.”

She turned toward him and cried out in Aramaic, “Rabboni!” (which means “Teacher”).